- WHAT FILM INSPIRED BRAVE 2012 MOVIE
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Brave’s rich aesthetics are arguably its strongest assets, sublimely capturing the majesty of the Scottish Highlands, whilst the film’s bawdy script, mischievous red-headed triplets and kilt-lifting clansmen help capture the vivacity of the nation’s spirit. However, a lacklustre Pixar film still manages to stand head-and-shoulders above the majority of bland American family films.
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The familiar plight of a young woman attempting to break free from the shackled expectations of her sex and stature is an incredibly well-worn conceit, something Disney itself have been regurgitating for countless years. Ironically, ‘brave’ is not an adjective you would choose to associate with Pixar’s latest venture, with this straightforward fairytale lacking much of the cleverly manufactured peril or emotional clout normally associated with the bouncing table lamp brand. In an attempt to make her mother more amiable to her wishes, Merida accidentally inflicts a curse upon her dearest mother.ĭespite the critical mauling received by Cars 2 (2011), Pixar’s reputation as the world’s most esteemed purveyors of feature animation somehow remained unblemished, with any release from this prestigious studio met with heightened anticipation. However, there’s a fire smouldering in young Merida which burns as brightly as her vibrant red hair, a passion to become more than just an accessory for a boorish king, yet a passion which unfortunately leads her into an ill-considered deal with a neighbouring witch. Her mother, Queen Elinor (Emma Thompson), has groomed Merida all her life to develop into the model princess she’s expected to become. Merida (Macdonald) is a young and impetuous princess of a noble Highland clan. A noticeable departure from Pixar’s usual output, Brave’s childhood fable about the role of girls and women within the family unit feels decidedly Disneyfied throughout – for better or for worse. Even these tidbits Chapman dropped have given us a lot to think about.Fittingly chosen to close the curtain on this year’s revamped Edinburgh International Film Festival, Disney Pixar’s latest Brave (2012) is a Scottish-based fairytale starring the vocal talents of Kelly Macdonald, Emma Thompson and Billy Connolly.
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We wonder if we’ll ever really get the full story about what happened on “Brave,” given the studios involved and the egos attached to those that made the big decisions, but if it ever comes out it’s going to be one hell of a tale. “Sometimes women express an idea and are shot down, only to have a man express essentially the same idea and have it broadly embraced,” Chapman wrote, tellingly.
WHAT FILM INSPIRED BRAVE 2012 MOVIE
And that the fact that her name is attached and she doesn’t totally disown the movie doesn’t exactly help take the sting out of the situation, which was based on her gender just as much as her creative ability. To have it taken away and given to someone else, and a man at that, was truly distressing on so many levels.”Īnd while Chapman does maintain that she is, at least, somewhat happy with the movie that was released this past summer (“In the end, it worked out, and I’m very proud of the movie”), she admits it was a difficult road, saying that at one point the movie, without at least her passing input, didn’t work at all. This was a story that I created, which came from a very personal place, as a woman and a mother. “We are replaced on a regular basis - and that was a real issue for me. “Animation directors are not protected like live-action directors, who have the Directors Guild to go to battle for them,” she wrote. Oscars 2023: Best International Feature Film PredictionsĬhapman goes on to describe how she was at odds with the system itself.
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'Cars on the Road': How Pixar's Animated Series Pays Homage to Ray Harryhausen and 'The Shining' 'Inside Out 2' Surprises Audiences at D23 Expo Alongside Sneak Peeks of 'Wish' and 'Elio' “When Pixar took me off of ‘Brave’ – a story that came from my heart, inspired by my relationship with my daughter – it was devastating.” Yikes. “It has been a heartbreakingly hard road for me over the last year and a half,” Chapman wrote. In a wonderfully heartfelt essay she wrote for The New York Times about gender inequality in the film business, she opens up about her experience on “Brave” and how that made her feel, as a filmmaker and a woman.
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